Bill Evans - Everybody Digs Bill Evans (Keepnews Collection) [rapidshare/blues/mp3 download]

Bill Evans - Everybody Digs Bill Evans (Keepnews Collection)

01 - Minority 05:24
02 - Young And Foolish 05:55
03 - Lucky To Be Me 03:41
04 - Night And Day 07:36
05 - Tenderly 03:34
06 - Peace Piece 06:44
07 - What Is There To Say 04:55
08 - Oleo 04:09
09 - Epilogue 00:42
10 - Some Other Time 06:10

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Review by Scott Yanow --- Bill Evans' second album as a leader was made shortly after he left Miles Davis' group. Evans, whose style was already fully formed, performs seven songs in a trio with bassist Paul Chambers and drummer Philly Joe Jones, really digging in for most of the songs and playing with a stronger aggression than usual; highlights include "Minority," "Night and Day," and "Oleo." However, it is his three piano solos, particularly the brilliant "Peace Piece," that are most memorable. (Riverside reissued Everybody Digs Bill Evans as part of the Keepnews Collection in 2007.) Bill Evas Trio: Bill Evans (piano); Sam Jones (bass); Philly Joe Jones (drums). Recorded at Reeves Sound Studios, New York, New York on December 15, 1958. Originally released on Riverside (1129). Includes liner notes by Orrin Keepnews. Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. When Bill Evans entered the studio on December 15, 1958 to record his second album as a leader, he was arguably the coolest man in cool jazz. Fresh from a groundbreaking stint with Miles Davis and backed by bassist Sam Jones (then most recently with Monk) and Coltrane's drummer "Philly" Joe Jones, the pianist effortlessly produced a set which proves that the album title and front-cover accolades from Davis, George Shearing, Ahmad Jamal and Julian "Cannonball" Adderly are no mere hyperbole. Hoary standards like "Lucky To Be Me" and "Night and Day" sound fresh and exciting in Evans' lyrical hands, and the haunting, cerebral solo improvisation "Peace Piece" is perhaps his best and most famous work. (The CD adds "Some Other Time," to which "Peace Piece" was an extemporized intro.) This album belongs on any reasonable list of The Greatest Jazz Records Ever Made.

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